SOLO EXHIBITIONS
GROUP EXHIBITIONS

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GROUP EXHIBITIONS

1959

New Work by New Artists, The Alan Gallery, New York, NY

1965

Current Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia

Art ’65, American Express Pavilion, New York World’s Fair

Plastics, John Daniels Gallery, New York

1966

Larry Aldrich Museum, Ridgefield, CT

Multiplicity, Institute of Contemporary Art, Boston, MA, April 16 – June 5

Primary Structures, Jewish Museum, New York, NY, April 27 – June 12

New Dimensions, A. M. Sachs Gallery, New York, NY, May 10 – May 28

Art in Process: The Visual Development of a Structure, Finch College Museum, New York, NY, May 11 – June 30

American Abstract Artists, 30th Annual Exhibition, “Yesterday and Today”, Riverside Museum, New York, NY, September 25 – November 27

Annual Exhibition of Prints and Sculpture, Whitney Museum, New York, NY, December 16, 1966 – February 5, 1967

20, Park Place Gallery, New York, NY

3 Man Show; with Sol LeWitt and Leo Valledo, Park Place Gallery, New York, NY

Eleanor Rigelhaupt Gallery, Boston, MA

Pattern Art, Betty Parsons Gallery, New York

1967

Monuments, Tombstones and Trophies, Museum of Contemporary Crafts, New York, NY, March 17 – May 14

Form, Color, Image, Detroit Institute of Arts, Detroit, MI, April 11 – May 21

American Sculpture of the Sixties, Los Angeles County Museum of Art, Los Angeles, CA, April 28 – June 25; Philadelphia Museum of Art, Philadelphia, PA, September 15 – October 29

Focus on Light, New Jersey State Museum, Trenton, NJ, May 20 – September 10

Language I, Dwan Gallery, New York, NY, June 3 - 30

Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC, October 15 – November 22

Art in Series, Finch College Museum, New York, NY, November 22, 1967 – January 6, 1968

Scale Models and Drawings, Dwan Gallery, New York, NY

10, Dwan Gallery, Los Angeles, CA, May New York Group, Dwan Gallery, Los Angeles, CA

1968

Cool Art, Larry Aldrich Museum, Ridgefield, CT, January 7 – March 17

Plus by Minus: Today’s Half Century, Albright Knox Art Gallery, Buffalo, NY, March 3 – April 14

Minimal Art, Hague Gemeentemuseum, The Hague, Netherlands, March 23 – May 26

6 Artists 6 Exhibitions, Walker Art Center, Minneapolis, MN, May 12 – June 23; Albright Knox Art Gallery, Buffalo, NY, September 23 - October 27

Language II, Dwan Gallery, New York, NY, May 25 – June 22

Directions 1: Options, Milwaukee Art Center, Milwaukee, WI, June 22 – August 18; Museum of Contemporary Art, Chicago, IL, September 14 – October 20

Earthworks, Dwan Gallery, October 5 – 30

The Whitney Sculpture Annual, Whitney Museum, New York, NY, December 17, 1968 – February 9, 1969

Critic’s Choice, New York State Council for the Arts Museum of Contemporary Art, Chicago, IL

Art of the Real, Aldrich Museum of Contemporary Art, Ridgefield, CT, September 8; Tate Gallery, London

Prospect ’68, Stadtische Kunsthalle, Dusseldorf, Germany, September

Kunstmarkt, K?ln Kunsthalle, Cologne, Germany, October

International Circulating Exhibition, 1968-1969

L’art du Réel, Centre National d’Art Contemporain, Grand Palais, Paris, France

1969

Minimal Art, Städtische Kunsthalle, Düsseldorf, Germany, January 17 – February 23; Akademie der Künste, Berlin, March 23 – April 27

Nonsites, Dwan Gallery, New York, NY, February 1 - 27

Earth Art, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY, February 11 – March 6

One Month, Seth Siegelaub, New York, NY, March 1969 (Robert Smithson: March 28)

Between Object and Environment, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, April 2 – May 3

Vergorgene Strukturen, Museum Folkwang, Essen, May 9 – June 22

Catalogue of the Exhibition, Seth Siegelaub, New York, NY, July – September

Live in Your Head: When Attitude Becomes Form – Works, Concepts, Processes, Situations, Information, Kunsthalle, Bern, March 22 – April 27, Museum Haus Lange, Krefeld, May 10 – June 15, ICA London, August 28 – September 27, curated by Harald Szeemann

Place and Process, Edmonton Art Gallery, Alberta, Canada, September 4 – October 26, organized by Willoughby Sharp

555,087, Seattle Art Museum, Seattle, WA, curated by Lucy R. Lippard, September 5 – October 5

Prospect ’69, Stadische Kunsthalle, Dusseldorf, Germany, September 30 – October 12, organized by Konrad Fisher and Hans Strelow

Konzeption – Conception: Dokumentation einer heutigen, Kunstrichtung / Documentation of Today’s Art Tendency, Städtisches Museum, Leverkusen, Germany, October – November, organized by Konrad Fisher and Rolf Wedewer

Art by Telephone, Museum of Contemporary Art, Chicago, IL, November 1 – December 14

Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC, November 16 – December 19

Series Photographs, School of Visual Arts Gallery, New York, NY, December 3,1968 – January 9, 1969

Op Losse Schroeven, Stedelijk Museum, Amsterdam, the Netherlands

When Attitudes Become Form, Institute of Contemporary Art, London, UK; Kunsthalle, Bern, Switzerland

Einladung, Fernschgalerie, Berlin, Germany

The Artist and the Gallery, University Gallery

Highlights of the 1968-69 Art Season, Larry Aldrich Museum, Ridgefield, CT

Love Ladies Art Association, New Jersey

Contemporary Drawing Show, Fort Worth Art Center Museum, Fort Worth, TX

Land Art, T.V., Film, Fernsehgalerie Gerry Schwin, Berlin, Germany

Long Beach Island, New Jersey, Long Beach Island Foundation of the Arts and Sciences

American Drawings, Galerie Yvon Lambert, Paris, France

Elements of Art, Museum of Fine Arts, Boston, M

A Whitney Museum Sculpture Annual, Whitney Museum, New York, NY

John Weber Gallery, New York, NY

1970

955,000, Vancouver Art Gallery, BC, Canada, curated by Lucy R. Lippard, January 14 – February 8

69th American Exhibition, Art Institute of Chicago, IL, January 17 – February 22

Evidence of the Flight of Six Fugitives, Museum of Contemporary Art, Chicago, IL, March 27 – May 10

Conceptual Art – Arte Povera – Land Art, Galleria Cevica d’Arte Moderna, Turin, Italy, June 12 – July 12

3rd Salon International de Galeries-Pilotes, Lausanne, Switzerland; Musée Cantonal des Beaux-Arts, June - October; Musée d’art modern de la ville de Paris, France, October - December

Information, Museum of Modern Art, New York, NY, July 2 – September 20

Recorded Activities, Moore College of Art Gallery, Philadelphia, PA, October 16 – November 19

Against Order: Chance and Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, November 14 – December 22

Whitney Museum Sculpture Annual, Whitney Museum, New York, NY, December 12, 1970 – February 7, 1971

Group Show, Dwan Gallery, New York, NY

Kolner Kunstmarkt, Germany

Kunst um 1970, Neve Galerie Stadt Aachen, Germany

Artists and Photographs, Multiples Gallery, New York, NY,

1971

Prospect 71 – Projection, Städitsche Kunsthalle, Düsseldorf, October 8-17, Louisiana Museum, Humlebak, Denmark, January 22 – February 14, 1972 as “Projektion: Udstilling pa Louisiana”, organized by Konrad Fischer, Jürgen Harten, and Hans Strelow.

Earth, Air, Fire, Water: Elements of Art, Museum of Fine Arts, Boston, MA, curated by Virginia Gunter, February

Nürenberg Biennale, Nurenberg Kunsthalle, April 30 – August 1

Sonsbeek ’71, curated by Wim Beerem, Park Sonsbeek, Arnheim, The Netherlands, June 19 – August 15

Art and Technology, Los Angeles County Museum of Art, 1967 – 1971

USSF, United States Servicemen’s Fund Collection, July

1972

Documenta 5, Kassel, West Germany, June 30 – October 8

Drawings and Diagrams, Rijksmuseum Kr?ller-Müller, Otterlo, The Netherlands; Kunstmuseum, Basel, Switzerland, August 13 – September 24

Group Show, John Weber Gallery, New York, NY

70th American Exhibition, Art Institute, Chicago, IL

Contemporary Drawings, Whitney Museum, New York, NY

1973

Biennial Exhibition, Whitney Museum, New York, NY, January 10 – March 18

3D into 2D: Drawing for Sculpture, New York Cultural Center, New York, NY, January 19 – March 11

Young American Artists: Drawings and Graphics, Gentofte Radhus, Charlottenlund, Denmark, January 24 – February 11; Aarhus Kunst Museum, February 18 – March 4; Henie-Onstad Kunstsenter, Oslo, Norway, March 18 – April 15; Hamburger Kunsthalle, Hamburg, Germany, April 28 – June 11; Moderna Museet, Stockholm, Sweden, September 15 – October 21

Group Show, John Weber Gallery, New York, NY, May 20 – June 16

American Drawings 1963 – 1973, Whitney Museum, New York, NY, May 25 – July 22

Choice Dealers / Dealer’s Choice, New York Cultural Center, New York, NY

Interventions in Landscape, Massachusetts Institute of Technology, Cambridge, MA

Works on Paper, Diane Stimpson Gallery, Vancouver

Multiples, Neuen Berliner Kunstereins, Berlin, Germany

Earth, Air, Fire, Water, University of Wisconsin, Milwaukee, WI

Record as Artwork, Galerie Riche, Cologne

1974

A Response to the Environment, Rutgers University, New Brunswick, NJ

Spiralen und Progressionen, Kunstmuseum, Lucern, Switzerland

Menace, Museum of Contemporary Art, Chicago, IL

Drawings 3, Stadtisches Museum, Leverkusen, Germany

Language and Structure in North America, Five Six Seven Gallery, Toronto, Canada

Locate/Order/Measure, University of Colorado, Boulder, CO

Paintings, Drawings, Sculpture of the ‘60s and ‘70s from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; Contemporary Arts Council, Cincinnati, OH

Sculpture: American Directions, 1945 – 1975, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C.

Labyrinth, Philadelphia College of Art, Philadelphia, PA

Not Photography (Photography), Fine Arts Building, New York, NY

Art in Landscape, organized by the ICI, Washington, D.C.; New Gallery of Contemporary Art, Cleveland, OH

The New Image, High Museum of Art, Atlanta, GA

1975

Two Hundred Years of American Sculpture, Whitney Museum, New York, NY

Private Notations, Artist’s Sketch Books II, Philadelphia College of Art, Philadelphia, PA

Photonotations, Rosa Esman Gallery, New York, NY

Biennale of Sydney, Sydney, Australia

1976

Drawing Now, Museum of Modern Art, New York, NY, curated by Bernice Rose; Kunsthaus, Zürich, Switzerland; Kunsthalle, Baden-Baden; Albertina Museum, Vienna, Austria; Niels Onstad Foundation

1977

Artists Maps, Philadelphia College of Art, Philadelphia, PA

Photonotations II, Rosa Esman Gallery, New York, NY

American Drawings: 1927-77, Minnesota Museum of Art, Minnesota

A View of a Decade, Museum of Contemporary Art, Chicago, IL

Drawings for Outdoor Sculpture: 1946-1977, curated by John Weber, John Weber Gallery, New York, NY; Mead Art Museum, Amherst, MA; University of California, Santa Barbara, CA; Massachusetts Institute of Technology, Cambridge, MA; Laguna Gloria Arts Museum, Austin, TX; Muhlenberg College, Allentown, PA; Aspen Center for the Visual Arts, Aspen, CO

1978

Drawings for Partially Buried Woodshed, Ohio State University, Columbus, OH

Architectural Analogues, Downtown branch of the Whitney Museum, New York, NY

Probing the Earth: Contemporary Land Projects, Hirschhorn Museum, Washington, D.C.; La Jolla Museum of Contemporary Art, La Jolla, CA; Seattle Art Museum, Seattle, WA

Imaginary Worlds, Rosa Esman Gallery, New York, NY

Numerals, Leo Castelli Gallery, New York, NY; Yale University Art Gallery, New Haven, CT; Dartmouth College, NH; University of North Dakota, Grand Forks, ND; University of California, Irvine, CA; Art Museum of South Texas, Corpus Christi, TX; Illinois State University, Normal, IL; Muhlenberg College, Allentown, PA; New Gallery, Cleveland, OH; Minneapolis College of Art & Design, Minneapolis, MN

1979

Sculptors’ Drawings, Touchstone Gallery, New York, NY

Drawings About Drawings: New Directions, 1968-1978, Ackland Art Center, University of North Carolina, Chapel Hill, NC

The Reductive Object: Survey of the Minimal Aesthetic in the 1960s, Institute of Contemporary Art, Boston, MA

Drawing, Hal Bromm Gallery, Toronto, Canada

Five Sculptors, Yarlow/Salzman Gallery, Toronto, Canada

Process and Sequence, Roosevelt Public Library, July 15 – August 15

Center for Creative Photography, University of Arizona, Tucson, AZ

Drawings/Structures, Harold Reed Gallery, New York, NY

Pier & Ocean: Concepts of Space, organized by the Arts Council of Great Britain, Hayward Gallery and Kr?ller-Müller Museum

Gallery Artists / Recent Work, John Weber Gallery, New York, NY

Drawing: The Pluralist Decade, Venice Biennale, Venice, Italy

Watermarks, Scottish Council Touring Exhibition, curated by Robert Callendar and Elizabeth Olgilvie

Myth and Ritual, Kunsthalle Zürich, Switzerland; Kunstverein Hamburg, West Germany

American Drawings in Black and White, Brooklyn Museum, NY

1980

Inaugural Group Show, David Bellman Gallery, Toronto, Canada

John Weber Gallery, New York, NY

Mapped Art: Charts, Roots, Regions, Independent Curators Inc., University of Colorado, Boulder, CO

Working Drawings, Hunter Gallery, New York, NY

Schemes: A Decade of Installation Drawings, Elise Meyer, Inc., New York; traveled to Emily Lowe Gallery, Hofstra University, New York; Anderson Gallery, Virginia Commonwealth University, Virginia; St. Lawrence University, Canton, New York; Herbert F. Johnson Museum, Cornell University, Ithaca, New York; Rhode Island School of Design, Providence, Rhode Island

Nature-Sculpture, Wurttembergischer Kunstverein, Stuttgart, West Germany

1981-2

Variants: Drawings by Sculptors, Sewall Art Gallery, Rice University, Houston, TX; Tulane University, New Orleans, LA

POSTMINIMALISM, Aldrich Museum of Contemporary Art, Ridgefield, CT

The Regrounding Surface, curated by Linda Weintraub, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York

1983

Connections: Bridges, Ladders, Staircases, Tunnels, Institute of art, Philadelphia

1984

The Sculptor as Draftsman, The Visual Arts Gallery, Florida International University, Miami, FL

The Vanishing Point, Moderna Museet, Stockholm, Sweden

Primitivism in 20th Century Art, Museum of Modern Art, New York; Detroit Institute of Arts, Detroit, MI; Dallas Museum of Art, Dallas, TX

1985

Land/Space/Sculpture, Addison Gallery, Phillips Academy, Andover, MA

Maximal Implications of the Minimal Line, Bard College, Annandale-on-Hudson, NY

The Box Transformed, Whitney Museum, New York, NY

American Eccentric Abstraction 1965-1972, curated by Irving Blum, Blum Helman Warehouse, New York, NY

1986

Qu’est-ce que c’est sculpture modern?, Centre Pompidou, Paris

Group Exhibition, Luhring-Augustine, Hodes, New York, NY

John Weber Gallery, New York, NY

Labyrinth, Philadelphia College of Art, Philadelphia, PA

The New Sculpture: Between Geometry and Gesture, 1965-1975, Centro de Arte Reina Sofia, Madrid, Spain

1987

Group exhibition, John Gibson Gallery, New York, NY

Early Concepts of the Last Decade, Holly Solomon Gallery, New York, NY

Sculpture, Lelong Gallery, New York, NY

Rhona Hoffman Gallery, Chicago, IL

1988

Conspicuous Display, curated by Sid Sachs, Stedman Art Gallery, Rutgers, NJ

Sculpture Since the Sixties: From the Permanent Collection of the Whitney Museum of American Art, Equitable Center, New York, NY

WORDS, Tony Shafrazi Gallery, New York, NY

1989

The Innovators/Entering into Sculpture, ACE Contemporary, Los Angeles, CA

Aus meiner Sicht, Kolnischer Kunstverein, curated by Rolfe Ricke, Cologne, Germany

The Play of the Unsayable, curated by Joseph Kosuth, Vienna Secession Building, Vienna, Austria

1990

The Experience of Landscape: Three Decades of Sculpture, curated by Emil Willes, Whitney Museum, New York, NY

The Humanist Icon, The Bayly Art Museum, University of Virginia, Charlottesville, VA; New York Academy of Art, New York; Edwin A. Furish Museum of Art, Wichita, KS

Signs of Life: Process and Materials, 1960-1990, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

Entre La Geometrie et le Gest: Oeuvres Sur Papier 1965-1975, Galerie Georges Philippe Vallois, Paris, France

Group Show, Galerie Saint-Germaine des Beaux-Arts, Paris, France

Form, Being, Absence, Griffin McGear Gallery, New York

The New Sculpture 1965-75: Between Geometry and Gesture, Whitney Museum, New York, NY; The Museum of Contemporary Art, Los Angeles, CA

Before the Field-Paintings from the Sixties, Daniel Newberg Gallery, New York, NY

Minimalism and Post-Minimalism, Hood Museum, Dartmouth College, Hanover, NH

Broken Landscape, Discarded Object, curated by Christopher Sweet, PPOW, New York, NY

Art in Europe and America: The 1960s and 1970s, Wexner Center for Visual Arts, Ohio State University, Columbus, OH

American Masters of the Sixties, Early and Late Works, Tony Shafrazi Gallery, New York, NY

1992

Breakdown!, Rose Art Museum, Brandeis University, Waltham, MA

Word-Image, Kean College of New Jersey, Union, NJ

Show of the Year, John Weber Gallery, New York, NY

Collections-Traces-Connections: Selections from the Robert Smithson Papers, Archives of American Art, New York, NY

Chamberlain, Harris, Matta-Clark, Oppenheim, Serra, Smithson, Weiner, Holly Solomon Gallery, New York, NY

1993

Grace and Gravity: The Changing Condition of Sculpture 1965-1975, Hayward Gallery, London, United Kingdom

1994

Drawing the Line: Reappraising Drawings Past and Present, curated by Michael Craig-Martin, Southbank Centre, London, United Kingdom

Greenpiece: Contemporary Art Dealing with Environmental Issues Facing Modern Society, Castle Gallery, College of New Rochelle, NY

1994

American Sculptors in the 1960s: Selected Drawings from the Collection, Museum of Modern Art, New York, NY

John Weber Gallery, New York, NY

Images of an Era: Selections from the Permanent Collection, Museum of Contemporary Art, The Temporary Contemporary, Los Angeles, CA

The Edge of Town, Hartford Art School, Joseloff Gallery, University of Hartford, West Hartford, CT

Projected Images, Tatro Fondamenta Nuove, Venice Biennale 1995, urated by Klaus Biesenbach as part of “Art and Technology” in conjunction with Kunst-Werke, Berlin, Germany

1995

Revolution: Art of the Sixties, Museum of Contemporary Art, Tokyo, Japan

Beat Culture and the New America: 1950-1965, curated by Lisa Philips, Whitney Museum, New York, NY

1996

Abstraction in the 20th Century: Total Risk, Freedom, Discipline, Solomon R. Guggenheim Museum, New York, NY

Everything That’s Interesting is New, The Dakis Joannou Collection, Deste Foundation, Athens, Greece

L’informe: mode d’emploi, curated by Rosalind Krauss and Yves-Alain Bois, Centre Pompidou, Paris, France

Gravity: Axis of Contemporary Art, National Museum of Art, Osaka, Japan

Citta/Natura, Palazzo delle Esposizioni, Rome, Italy

1997

Margins: Acconci, LeWitt, Matta-Clark, Smithson, Barbara Gladstone Gallery, New York, NY

Nature, Meyerson-Nowinski Gallery, Seattle, WA

Group Show, Patrick Painter Gallery, Los Angeles, CA

The Duel Muse: The Writer as Artist, The Artist as Writer, Washington University Gallery of Art, St. Louis, MO

Art about the Environment IV, Center for Earth Art, New York, NY

Laying Low, Kunstnemes Hus, Oslo, Norway

1998

Pop Abstraction, curated by Sid Sachs, Museum of American Art, Philadelphia, PA

Fundacao Biennel de Sao Paulo, Brazil

1999

Circa ’68, Museu Serralves, Museu de Arte Contemporanea, Fundacao de Serralves, Portugal

Posters, Lawrence Markey Gallery, New York, NY

Art of the Century: 1950-1999, curated by Lisa Phillips, Whitney Museum, New York, NY

Museum as Muse: Artists Reflect, curated by Kynaston McShrine, Museum of Modern Art, New York, NY; Museum of Contemporary Art, San Diego, La Jolla, CA

After Image: Drawing Through Process, curated by Connie Butler, Museum of Contemporary Art, The Temporary Contemporary, Los Angeles, CA; Parrish Art Museum, Long Island, NY; Henry Art Gallery, Seattle, WA

2000

Land Artists, curated by Heinz Kaizer, Kunstraum Innsbruck, Germany

Infinite Loop: Selected Light Works from the Museum of Contemporary Art, curated by Alison Pearlman, Museum of Contemporary Art, Chicago, IL

2001

Century City, Tate Modern, Bankside, London, United Kingdom

Between Language and Image: Mel Bochner, Joseph Kosuth, Robert Morris, Bruce Naumann, Robert Smithson, curated by Robert Morris, Leo Castelli Gallery, New York, NY

En Pleine Terre, curated by Bernard Mendes Burgi, Museum für Geenwartskunst, Basel, Switzerland

Robert Smithson / Bernd and Hilla Becher, curated by James Lingwood, Museu Seralves, Portugal

2002

Upon Reflection…, Sean Kelly Gallery, New York, NY

My Head is on Fire but my Heart is Full of Love, Charlottenborg Museum, Copenhagen, Denmark, May 8 – June 9

2003

Concepts on Nature, Hausler Kulturmanagement GmbH, Münich, Germany

The Great Drawing Show, Michael Kohn Gallery, Los Angeles, CA

DIA: Beacon, premier exhibition highlighting new work in the permanent collection, Beacon, NY

Warum! Bilder diesseits und jenseits des Menschen, curated by Friedrich Meschede, Eine Ausstellung zeitgenossischer Kunst, Berlin, Germany

Global Village: the 60s, Musée des Beaux-Arts de Montreal, Canada (film Spiral Jetty)

Drawings and Collages: Works by Merce Cunningham, Robert Smithson and Hannah Wilke, curated by Michael Solway, Solway Jones, Los Angeles, CA

Projection: Video, Film, Dia, Skulptur, Malerei, Zeichnung und Dokumente von 1967-1974, curated by Dorthee Fischer, Konrad Fischer Gallery, Dusseldorf, Germany

Land Art 15 IV 1969: Dokumentation der Sammlung Marzona, Landesmuseum für Vorgeschichte, Hälle, Germany (film Spiral Jetty)

2003

Drawings from the Collection of Wynn Kramarsky, Santa Barbara Contemporary Arts Forum, CA

The Last Picture Show: Artists Using Photography, 1960-1982, curated by Douglas Fogle, Walker Art Center, Minneapolis, MN; UCLA Hammer Museum, Los Angeles, CA

Behind the Facts: Interfunktionen, 1968-75, curated by Gloria Moure, Fundacio Joan Miro, Barcelona, Spain; Serralves Museum, Portugal; Kunsthalle Fridericianum, Kassel, Germany

A Minimal Future? Art as Object 1958-1968, curated by Anne Goldstein, Museum of Contemporary Art, Los Angeles, CA

Artists’ Favorites, curated by Ingrid Schaffner, Bennet Simpson and Tanya Leighton, Institute of Contemporary Art, University of Pennsylvania, PA

John Coplans, Andrea Rosen Gallery, New York, NY

Reflecting the Mirror, Marian Goodman Gallery, New York, NY

Paisaje & Memoria, La Casa Encendida, Madrid, Spain

Contre-Images, curated by Françoise Cohen, Carré d’Art-Musée d’Art contemporain de Nimes, France

Beyond Geometry: Experiments in Form, 1940s-1970s, curated by Lynn Zelevansky, Los Angeles County Museum of Art, Los Angeles, CA

Artists’ Favorites: Act I, Institute of Contemporary Arts, London, United Kingdom

Summer Show, James Cohan Gallery, New York, NY

Los usos de la imagen: fotografia, film y video en La Collectión Jumex, curated by Carlos Basualdo and Patricia Martin, Museo de Arte Latinoamericano de Buenos Aires, Argentina

2004

Outside, Jim Kempner Fine Art, New York, NY

Organized Delirium: New York 1970-1978, Galerie Lelong, New York, NY

Universal Experience: Art, Life and the Tourist’s Eye, Hayward Gallery, London, United Kingdom

The Plain of Heaven, curated by Peter Eleey, New York, NY

2005

Slide Show, Baltimore Museum of Art, Baltimore, MD; Contemporary Arts Center, Cincinnati, OH, July 2 – September 11

The Last Picture Show: Artists Using Photography, 1960 – 1982, Miami Art Center, Miami, FL

OpenSystems: Rethinking Art c. 1970, Tate Modern, London, United Kingdom

U_MOVE: Utopia and Images on the Move, Galleria Comunale d’Arte Contemporeana in Monfalcone, Italy

Bridge Freezes Before Road, curated by Neville Wakefield, Gladstone Gallery, New York, NY

Down the Garden Path: The Artist’s Garden After Modernism, Queens Museum of Art, NY

Big Bang: Creation and Destruction in 20th Century Art, Centre Pompidou, Paris, France

2006

In the Poem About Love You Don’t Write the Word Love, curated by Tanya Leighton, Artist’s Space, New York, NY

QUAUHNAHUAC – The Straight Line is a Utopia, Kunsthalle Basel, Basel, Switzerland

Radical Software: Art, Technology, and the Bay Area Underground, curated by Will Bradley, CCA Wattis Institute for Contemporary Art, San Francisco, CA

Data Mining, Wallspace, New York, NY

Drawn into the World: Drawings from the MCA Collection, Museum of Contemporary Art, Chicago, IL

Time Frame: A Group Exhibition, PS1 Contemporary Art Center, Long Island City, NY

Inventory: Works from the Herbert, Kunsthaus Graz, Austria

The Expanded Eye, Kunsthaus Zürich, Switzerland

Nineteen Sixty-Eight, Solo Projects, Studio B, Los Angeles, CA

Out of the Blue, The Abington Art Center, Jenkintown, PA

Lewitt x 2, Sol LeWitt: Selections from the Sol LeWitt Collection, curated by Dean Swanson, Madison Museum of Contemporary Art, Madison, WI; Miami Art Museum, Miami, FL

Transforming Chronologies: An Atlas of Drawings, Part II, curated by Luiz Pérez-Oramas, Museum of Modern Art, New York, NY

The Big Art Project, Channel 4, United Kingdom

Elsewhere, Contemporary Art Museum, University of South Florida, Tampa, FL

Works to Inaugurate a Space, Art Cave, Napa Valley, CA

Organizing Chaos, curated by Neville Wakefield, PS1 Center for Contemporary Art, Long Island City, NY

2007

Out of the City, curated by Daniela Carna, Bratislava City Gallery, Bratislava, Slovakia

Art is an Idea: The Moquay Collection, curated by Cassandra Coblentz and Marilu Knode, Scottsdale Museum of Contemporary Art, Scottsdale, AZ

The Shapes of Space, Solomon R. Guggenheim Museum, New York, NY

What Does the Jellyfish Want?, Museum Ludwig, K?ln, Denmark

Cosmologies, James Cohan Gallery, New York, NY

2008

Jedermann Collection, Fotomuseum Winterthur, Switzerland

Learning Display: Robert Smithson’s Spiral Jetty, Las Vegas Art Museum, Las Vegas, NV

Recasting Site, curated by Terri C. Smith, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, NY

Under the Influence, curated by Anat Egbi, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, NY

In Collaboration: Early Works from the Media Arts Collection, San Francisco Museum of Modern Art, San Francisco, CA

Geometry of Motion 1920s/1970s, curated by Klaus Biesenbach and Roxana Marcoci, Museum of Modern Art, New York, NY

Collection Highlights, curated by Elizabeth Smith, Museum of Contemporary Art, Chicago, IL

Peripheral Look and Collective Body, MUSEION, Bolzano, Italy

The Construction of the Contemporary Landscape, Centro de Arte y Naturaleza Fundacion Buelas Huesca, May (film Spiral Jetty)

Visions of America Part 3 / AMERICA MEGAMIX: 1957-1987, Tokyo Metropolitan Museum of Photography, Tokyo, Japan

Revolutions 1968, Zacheta National Gallery of Art, Warsaw, Poland (Floating Island to Travel Around Manhattan Island)

A Stake in the Mud, A Hole in the Reel, Land Art’s Expanded Field 1968-2008, Museo Tamayo Arte Contemporaneo, Mexico City, Mexico (Floating Island to Travel Around Manhattan Island)

The Sublime is Now, La Galleria Civica di Modena, Italy (film, Spiral Jetty)

Land Art, Consorcio Museo Vostell Malpartida, Spain (film, Spiral Jetty, and Floating Island to Travel Around Manhattan Island)

On Location: Art, Space and Place in the 1960s, Sainsbury Centre for Visual Arts, Norwich, United Kingdom

Passageworks, San Francisco Museum of Modern Art, San Francisco, CA

2009

Blickmaschinen Contemporary Art Looks at the Collection Nekes, Museum für Gegenwartskunst Siegen, Siegen, Germany

Nature, Space and Time – recent acquisitions, Kr?ller-Müller Museum, Otterlo, The Netherlands

“iloveyouihateyou” Leah Singer & Lee Ronaldo, Gordon Matta Clark, Terry Fox, Nancy Holt & Robert Smithson

Face Off: A Selection of Old Masters and Others from the Menil Collection, The Menil Collection, Houston, TX

Art and Ecology, Gunma Museum of Art, Tatebayashi, Japan (film, Spiral Jetty)

Beyond the Picturesque, Stedelijk Museumvoor Actuele Kunst, Ghent, Belgium

Rethinking Art: Objects and Ideas from the 1960s and 70s, Akron Art Museum, Akron, OH

Die Moderne Als Ruine: Eine Archäologie der Gegenwart, Sabine Folie, Generali Foundation, Vienna, Austria, October 2, 2009 – January 17, 2010

Poor, Old, Tired Horse, Institute of contemporary Arts, London, United Kingdom

Earth Art, Contemporary Land Project, Galleria Repetto, Acqui, Terme, Italy

Radical Nature – Art and Architecture for a Changing Planet, 1969-2009, Barbican Centre, London, United Kingdom

Manmade: Notions of Landscape from the Lannnan Collection, The New Mexico Museum of Art, Santa Fe, NM

Life Forms, Bonniers Konsthall, Stockholm, Sweden

The Song of the Earth – Land Art Horizons, Galleria Repetto, Acqui Terme, Italy

The Original Copy: Photography of Sculpture, 1839 to today, Museum of Modern Art, New York, NY

Landscapes as an Idea: Projects and Projections, Koldo Mitzelena Cutlural Centre Gallery, San Sebastian, Spain

Mirror Mirror: Then and Now, Institute of Modern Art, Brisbane, Australia

Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum, New York, NY

HORIZONTE EXPANDIDO, NAU Produtora, Porto Alegre, Brazil

Earthworks: Robert Smithson, Sam Durant and Mary Brogger, Museum of Contemporary Art, Chicago, IL

Between Here and There: Dislocation and Displacement in Contemporary Photography, Metropolitan Museum of Art, New York, NY

2010

Crystalline Architecture, Andrea Rosen Gallery, New York, NY

Mass and Material: Sculpture Since the 1960s, Dallas Museum of Art, Dallas, TX

Big Sign – Little Building, Office for Contemporary Art, Oslo, Norway

Another Green World, Carriage Trade, New York, NY

Drawing in Progress, The Middlesbrough Institute of Modern Art, Middlesbrough, United Kingdom

Case Study: Loch Ness (Some possibilities and problems), Milton Keynes Gallery, United Kingdom

Earthworks: Robert Smithson, Sam Durant, and Mary Brogger, Museum of Contemporary Art Chicago, April 24-October 3, 2010

2011

Place as Idea, Worcester Art Museum, Worcester, MA

The Masterpieces from the Collection of IVAM, Museum of Modern Art in Moscow, Russia

The Parallax View, Curated by Michael E. Gonzalez, Lehmann Maupin Gallery, New York, NY, Feb 10 – March 19

Incidents of Mirror Travel in Yucatan and Elsewhere, Museo Tamayo and Alias, Mexico City, Mexico

Alice in Wonderland: Through the Visual Arts, Tate Liverpool, United Kingdom; Museo di Arte Moderna di Trento e Rovereto, Italy; Hamburger Kunsthalle, Germany

2012

Bladen in Context, Loretta Howard Gallery, New York, NY, April 14 - May 25

Ecstatic Alphabets/Heaps of Language, curated by Laura Hoptman, Museum of Modern Art, NY, May 6 – August 27

Ends of the Earth: Land Art to 1974, The Geffen Contemporary at Museum of Contemporary Art, Los Angeles, CA, May 27 – August 20; Haus der Kunst, Munich, Germany, October 12, 2012 - January 20, 2013

Ghosts in the Machine, curated by Massimiliano Gioni, New Museum of Contemporary Art, New York, NY, July 18 – October 7

The Imminence of Poetics: The 30th Sao Paulo Bienal, curated by Luis Pérez-Oramas, September 7 – December 9

Materializing “Six Years”: Lucy Lippard and the Emergence of Conceptual Art, Brooklyn Museum of Art, New York, September 13, 2012 – February 3, 2013

Notations: Contemporary Drawings as Idea and Process (selections from the Kramarsky Collection), Mildred Lane Kemper Art Museum, Washington University at St. Louis, MO, September 14, 2012 – January 7, 2013

Man in the Holocene, MIT List Visual Arts Center, October 15, 2012 – January 6, 2013

Signs & Symbols, Whitney Museum of American Art, June 28 – October 28

2013

Lumineux! Dynamique! Espace et vision dans l’art de nos jours a 1913, Galeries Nationales du Grand-Palais, Paris, April 10 – July 22, 2013

Nancy Holt and Robert Smithson: England and Wales 1969, John Hansard Gallery, University of Southhampton, Southhampton, UK,  May 10- August 17

Indifferent Matter: From Object to Sculpture, Henry Moore Institute, Leeds, UK July 25 –October 20, 2013

Everything Loose Will Land, curated by Sylvia Lavin, MAK Center for Art and Architecture, L.A., May 9–August 4

When Attitudes Become Form: Bern 1969/Venice 2013, Curated by Germano Celant in dialogue with Thomas Demand and Rem Koolhaas, Fondazione Prada, June 1 – November 3

Land Marks, The Metropolitan Museum of Art, New York, April 30—August 18

The Whole Earth: California and the Disappearance of the Outside, curated by Diedrich Diederichsen and Anselm Franke, Haus der Kulturen der Welt, Berlin, Germany, April 25 - July 1

DallasSITES: Charting Contemporary Art, 1963 to Present, Dallas Museum of Art, May 26–September 15, 2013

Amarillo Entropy, The Power Station, Dallas, TX, September 18-28

New Jersey as Non-Site, curated by Kelly Baum, Princeton University Art Museum, Princeton, NJ, October 5, 2013 – January 4, 2014

2014

Beyond Earth Art, Johnson Museum of Art, Cornell University, January 25—June 8

Counterintelligence, Justina M. Barnicke Gallery, University of Toronto, January 23 –  March 16, 2014

Standing in the Shadows of Love: The Aldrich Collection 1964-1974, curated by Richard Klein, The Aldrich Contemporary Art Museum, Ridgefield, CT, April 6—September 21

Creation and Erasure: Art of the Bingham Canyon Mine, Utah Museum of Fine Arts, Salt Lake City, Utah, May 30–September 28

2015

America is Hard to See, Whitney Museum of Art, curated by Donna De Salvo, Carter E. Foster, Dana Miller, Scott Rothkopf, Jane Panetta, Catherine Taft, Mia Curran, May 1 - September 22, 2015

All the World's Futures, curated by Okwui Enwezor, The 56th International Art Exhibition, Venice Biennale, May 9- November 22, 2015

2015-2016

Sublime. The Tremors of the World, curated by Hélene Gueninn, February 11 - September 5 2016, Centre Pompidou-Metz, France

Seth Siegelaub Beyond Conceptual Art, curated by Leontine Coelewij, December 12, 2015 - April 17, 2016, Stedelijk Museum Amsterdam, Amsterdam, Netherlands

Radical Seafaring, curated by Andrea Grover, May 8, 2016 through July 24, 2016, Parrish Art Museum, Water Mill, New York

2017

Los Angeles to New York: Dwan Gallery, 1959–1971, organized by James Meyer, Gallery of Art, Washington, D.C.: September 30, 2016 - January 29, 2017; Los Angeles County Museum of Art, California: March 19 - September 10, 2017.


FILM SCREENINGS

2003 Mono Lake, Rundown Sheds; Cinematheque Suisse Festival, Lausanne, Switzerland, October 11 – 15 [festival]

2007 Spiral Jetty, Sheds; VMDO Architects, Charlottesville, VA, April 12

East Coast, West Coast; Thought-Image Project, Belo Horizonte, Brazil, May 2

Swamp, Rundown; “I’ll Be Your Mirror”, Palais de Tokyo, Paris, France, May 24 – July 29 [exhibition]

Spiral Jetty; “Out of the City”, Bratislava City Gallery, Bratislava, Slovak Republic, September 6 – November 25 [exhibition]

2008 Mono Lake, Floating Island; “Land Art programme by Latitudes”, Museo Tamayo Arte Contemporáneo, Mexico City; Kunsthalle Basel, Switzerland; Centro Andaluz de Arte Contemporáneo, Spain; Centro de Arte dos de Mayo, Spain, March 18 – June 1 [exhibition]

Sheds; “Psycho Building: Architecture by Artists”, Hayward Gallery, London, UK, August 25 – 28, organized by Ralph Rugoff [exhibition]

Mono Lake Floating; MARCO, Vigo, Spain, May 8 & 15

Spiral Jetty; “Sonic Youth Etc./Sensational Fix”, LiFE, Saint-Nazaire, France, June 17 – September 7 [exhibition]

Spiral Jetty; “du Jardin au Cosmos”, Espace de l’Art Concret, Mouans-Sartoux, France, June 29 – January 4 [exhibition]

Spiral Jetty; “The Sublime is Now”, Galleria Civica di Modena, Italy, September 10 – January 6 [exhibition]

Floating Island to Travel…; “1968 Revolutions”, Zacheta National Gallery of Art, Warsaw, Poland, September 16 – November 9 [exhibition]

Spiral Jetty; “Visions of America Part 3”, Tokyo Metropolitan Museum of Photography, Tokyo, Japan, October 25- December 7 [exhibition]

Mono Lake, Rundown; “Now is the Time”, Dublin City Gallery, Dublin, Ireland, November 5 – February 8, organized by Padraic [exhibition]

Mono Lake; “Sudden White”, Royal Academy of Arts, London, UK, December 15 – January 19 [exhibition]

2009 Swamp; “iloveyouihateyou”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden, February 7 – May 24, organized by Richard Julin [exhibition]

Spiral Jetty; “Waiting for Video: Works from the 1960s to Today”, National Museum of Modern Art Tokyo, Japan, March 31 – June 7 [exhibition]

Spiral Jetty; “Pattern Recognition”, The City Gallery, Leicester, UK, June 20 –October 24 [exhibition]

Spiral Jetty; screening series “Land Art” at Guild Cinema, Albuquerque, NM, August 15

Spiral Jetty; “Radical Nature, Art and Architecture for a Changing Planet 1969-2009”, Barbican Art Gallery, London, UK, June 19 – October 18 [exhibition]

East Coast, West Coast; Eighth Veil, Los Angeles, CA, March 28

Spiral Jetty; “Ecology & Art: Think the Earth Through Art”, Gunma Museum of Art, Tatebayashi, Japan, July 4 – September 23 [exhibition]

Spiral Jetty; “Earth Art: Contemporary Land Project”, Galleria Repetto di Carlo Repetto, Milan, Italy, September 15 – November 25 [exhibition]

Spiral Jetty; “Life Forms”, Bonniers Konsthall, Stockholm, Sweden, September 15 – January 10 [exhibiton]

Spiral Jetty; “Infinite Egress”, Surrey Art Gallery, British Columbia, Canada, September 26 – December 13 [exhibition]

Spiral Jetty; Copenhagen International Documentary Film Festival, Copenhagen, November 6 – 15 [festival]

Swamp; AIDS Bureau, Ministry of Health and Long-Term Care, Toronto, Ontario, Canada, November 19

2010 Swamp; Camden Arts Centre, London, UK, February 22

Spiral Jetty, Floating Island, Swamp, Mono Lake Site; “Landscape as an Idea, Projects and Projections: 1960-1980”, Koldo Mitxelena Cultural Centre Gallery, San Sebastian, Spain, June 10 – September 25, organized by Berta Sichel [exhibition]

Spiral Jetty, Mono Lake, “Horizonte Expandido”, NAU Produtora, Porto Alegre, Brazil, May 25 – August 15 [exhibition]

East Coast, West Coast; screening series “California Highs, California Lows” at SFMoMA, San Francisco, CA, June 3

Spiral Jetty; Akademie der Kunste, Berlin, Germany, April 10

Floating Island to Travel Around Manhattan; “Kilmakapsen”, Museum für Kunst und Gewerbe Hamburg, Germany, May 27 – September 5 [exhibition]

Swamp; Spruth Magers Berlin, Germany, June 21

Spiral Jetty; Catholic University of Sao Paulo, Brazil, September 14

Spiral Jetty; Sfitfungs-und Fordergemeinschaaft Modellproject, Berlin, Germany, September 3 – October 10

Sheds, Floating Island; Land Art Film Series at Anthology Film Archives, New York, NY, November 19 – 21, organized by Alena Williams

Spiral Jetty; The Film Desk, Hudson, New York

Mono Lake; Kaleidoscope Project Space, Milan, Italy, December 16

2011 Spiral Jetty; “Observers”, Museu Coleccao Berardo, Lisbao, Portugal, February 14 – May 29, 2011 [exhibition]

Spiral Jetty; “Eco-Art”, Pori Art Museum, Finland, February 4 – May 29 [exhibition]

Spiral Jetty; “Moving Landscape”, Musée de la ville de Strasbourg, France, March 26 – April 30 [exhibition]

Sheds; IHME Contemporary Art Festival, Helsinki, Finland, April 1

Floating Island to Travel Around Manhattan; Parco di Monza, Italy, March 20 – May 29

Spiral Jetty; “Land art Cascais 2011”, Fundaçao D. Luis I Centro Cultural de Cascais, Portugal, March 9 – April 10 [exhibition]

Spiral Jetty; “Timeframe”, University of Essex, Art Exchange Gallery, Essex, UK, April 28 – June 11 [exhibition]

Spiral Jetty; “No Show” screening program, National Museums of Scotland, Edinburgh, Scotland, August 6 & 7

Spiral Jetty, Sheds; SLG Art & Film at South London Gallery, London, UK, August 10

Spiral Jetty; MK Gallery Friday Night Film, Buckinghamshire, UK, August 19

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); CBK Emmen, September 17 – November 27

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); Stedelijk Museum Amsterdam

Spiral Jetty; “Camulodunum”, Firstsite High Street, Colchester, UK, October 1

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); Fieldwork: Marfa (international research residence), TX, October 8

Spiral Jetty; “Arte Povera International”, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Italy, October 8 – February 19, organized by Germano Celant and Beatrice Merz [exhibition]

Mono Lake; “Inner and Outer Space” screening series, Viennale, Vienna, Austria, October 21 – November 2, organized by Christian Helbock and Dietmar Schwärzler

Spiral Jetty; Staedtische Galerie Nordhorn, Germany, November 9

2012 Breaking Ground: Broken Circle/Spiral Hill (1971-2011); Louvre Museum, Paris, January 27

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); Kunsthalle Bielefeld, Germany, February 5 – May 30

Spiral Jetty; “Vorführraum”, Kunsthalle Bielefeld, Germany, February 5 – May 13 [exhibition]

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); ARCO Madrid, Spain, February 18

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); “Robert Smithson: Invention of Landscape: Broken Circle / Spiral Hill”, Museum für Gegenwartskunst, Siegen, Germany, March 4 – May 29 [exhibition]

Mono Lake; Centre for Contemporary Arts, Glasgow, March 10 - 30

Spiral Jetty; “Way Beyond Art 3”, CCA Wattis Institute for Contemporary Arts, California Institute of the arts, March 12

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); Crowley Theater, Marfa, TX, March 15

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); Dallas Museum of Art, TX, March 24

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); Museum of Contemporary Art, Los Angeles, April 8 – July 30

Spiral Jetty; Botkyrka Konsthall, Sweden, April 21

Rundown; screening series “Sculpture on Film”, Glasgow Film Theatre, United Kingdom, April 22

Swamp, Mono Lake, Spiral Jetty; “Ends of the Earth: Art of the Land to 1974”, Los Angeles Museum of Contemporary Art, CA, May 27 – August 20 [exhibition]

Spiral Jetty; “DB12: Dallas Biennial”, Historic Texas Theatre, Dallas, TX, May 31

Spiral Jetty; “The Nature of Disappearance”, Marianne Boesky Gallery, NY, organized by Dieter Buchhart, June 28 – August 10 [exhibition]

Spiral Jetty; “Pride of Place” Yeosu International Art Festival, South Korea, curated by Iris Moon, July 17 – August 10 [exhibition]

Rundown; "The Black Whale," Museo de Arte Contemporánea de Vigo, Vigo, Spain, October 5, 2012 - March 31, 2013

Spiral Jetty, "Another Crystal Land," Artspace, New Haven, CT, October 20-21

Mono Lake, Clair Obscur, France, October 31

Spiral Jetty; Grand-Hornu, Belgium, November 18, 2012 – February 17, 2013 [exhibition]

Spiral Jetty; fotoK Gallery, Vienna, Austria, November 24, 29, 30; December 1, 6, 7

Spiral Jetty; "Desire Lines," Australian Centre for Contemporary Art. Melbourne, Australia, December 17, 2012 - March 3, 2013

2013 Spiral Jetty, Mono Lake, Swamp, "The Invention of Landscape," Reykjavik Art Museum, Iceland, January 19 - April 14 [exhibition]

Spiral Jetty, Mono Lake, "Ruins & Entropy Part 1," Experimental Film Club, Irish Film Institute, Dublin, Ireland, January 30

Swamp; LUX, Shacklewell Studios, London, February 13

Spiral Jetty; Centre d'Art Contemporain Geneve, Geneva, Switzerland, April 12

East Coast, West Coast, "The Whole Earth: California and the Disappearance of the Outside," Haus der Kulturen der Welt, Berlin, Germany, April 25 - July 1

Breaking Ground: Broken Circle/Spiral Hill (1971-2011); "Screen From Barcelona", Spain, May 29 [film festival]

Spiral Jetty, Monoquini, Bordeaux, France, April 9th

JG (A film by Tacita Dean), Arcadia University Art Gallery, February 7 - April 21, 2013 (Spiral Jetty film still)

Breaking Ground: Broken Circle/Spiral Hill (1971-2011), Screen from Barcelona [film festival], Spain, May 29, 2013 more info >>

Spiral Jetty, Landmarks a University of Texas, Austin, May 2013

Mono Lake, Swamp, Pine Barrens, Sun Tunnels, “Nancy Holt: Selected Photo and Film Works,” Contemporary Art Gallery, Vancouver, British Columbia, Canada, June 10th, 2013

Spiral Jetty, “The Telling of Beautiful Untrue Things" curated by Albert Martinez Lopez-Amor, Lo Pati Art Centre, Tarragona, Spain, June 8 - Aug. 31, 2013

Spiral Jetty, “Monuments: Peter Buggenhout, Dan Holdsworth, Robert Smithson, Lawrence Weiner,” Scheublein Fine Art, Zurich, Switzerland, June 8 - July 13, 2013

Swamp, “Artists Moving Image Festival,” Tramway, Glasgow, Scotland, September 28—29

Spiral Jetty, Wirksworth Festival, London, UK, Sept 14

Rundown, Centre d’art contemporain d’Ivry - le Crédac, Ivry-sur-Seine, France, June 6

Mono Lake, Swamp, East Coast, West Coast, “Nancy Holt and Robert Smithson: England and Wales 1969,” John Hansard Gallery, May 10—August 17

Spiral Jetty, Sheds, Rundown, “False Theorems and Grand Mistakes," Paillard Centre d’Art Contemporain, Poncé sur le Loir, France, October 6—December 1

Spiral Jetty, “Keith Langerbraber: The Theatre of the Exploding Sun,” Kelowna Art Gallery, Kelowna, BC, Canada, October 4—December 29

2014 Spiral Jetty, "On The Road / En el camino," Santiago de Compostela, Spain, curated by Gloria Moure, organized by the Minister of Culture, Xunta de Galicia, May—November, 2014

Spiral Jetty, “Lens-based Sculpture: The Transformation of Sculpture through Photography,” Kunstmuseum Liechtenstein, Germany, May 15 - May 31, 2014

Spiral Jetty, Utah Museum of Fine Arts, Salt Lake City, Utah, with gallery talk by Kelly Kivland occasioned by the installation of Leaning Mirror (1969), on temporary loan from DIA Foundation, March 20th

Breaking Gound: Broken Circle/Spiral Hill, The Making of Amarillo Ramp, Sun Tunnels, “White Cube / Black Box Presents: A Tribute to Nancy Holt,” Anthology Film Archives, New York, NY, April 10, 7:30 pm with Q&A with DeeDee Halleck at 9 pm

Spiral Jetty, with Q&A with James Benning, Copenhagen Architecture Festival, Louisiana Museum, Humlebak, Denmark, March 29

Spiral Jetty, “Conquest of Space,” College of Fine Arts, University of New South Wales, Australia, June 14

Spiral Jetty, “Lens-based Sculpture: The Transformation of Sculpture through Photography,” Kunstmuseum Liechtenstein, Germany, May 15 - May 31

Spiral Jetty, “Le géométrique,” Museums of the City of Strasbourg, France, March 29

Swamp, 52nd Annual Ann Arbor Film Festival, Michigan, March 30

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